Review: Behemoth – I, Scvlptor Lee Carter·4th September 2026BehemothI, ScvlptorNuclear Blast As purveyors of trve darkness in metal, Behemoth are something of an institution these days,...0 Comments·
Review: Russian Circles – Nine Lee Carter·24th August 2026Russian CirclesNineSargent House It seems strange in 2026 to think that music once existed without vocals. In the...0 Comments·
Live Review: Bloodstock Festival, Catton Hall, Derby Lee Carter·20th August 2026We’re back at one of our absolute favourite summer festivals, this time to celebrate the monumental 25th anniversary...0 Comments·
Live Review: Maid Of Stone, Mote Park, Kent Lee Carter·30th July 2026Well, gosh-darnit, if it isn’t time for Maid Of Stone again? Not only was the weather clear, but...0 Comments·
Review: Xenith – To No Avail Lee Carter·15th July 2026Xenith To No Avail Self-Released Unless you are already well-established, making music in 2026 must be such a...0 Comments·
Review: Evergrey – Architects Of A New Weave Lee Carter·12th June 2026EvergreyArchitects Of A New WeaveNapalm Records Condensing an album’s PR blurb can be a tough task at times,...0 Comments·
Live Review: Slam Dunk South 2026 Lee Carter·31st May 2026Bank holiday weekends are scarce in the UK, and finding one with sunshine is like winning the lottery...0 Comments·
Special Feature: Slam Dunk 2026 – Ones To Watch Lee Carter·21st May 2026While it may be stating the patently bloody obvious, 2026’s edition of Slam Dunk is a pretty big...0 Comments·
Review: Tabernis – Seasons Of The Dark Hive Lee Carter·30th April 2026Tabernis Seasons Of The Dark Hive Napalm Records Outside of certain Celtic circles, you really do not hear...0 Comments·
Review: Lost In Hollywood – Lost In Hollywood Lee Carter·4th April 2026Lost In Hollywood Lost In Hollywood Arising Empire Occasionally when reading PR blurb prior to reviewing, something sticks...0 Comments·
