Review: Ahab – The Coral Tombs

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Ahab

The Coral Tombs

Napalm Records

 With their vast, monolithic sound and lyrics derived from classic nautical tales, Germany’s Ahab are a band drawn towards the epic and their latest album, The Coral Tombs, is no exception. With down-tuned guitars and echoing percussion, the band create a feeling of something so enormous and awe-inspiring it can barely be comprehended. The seven tracks comprising The Coral Tombs (of which, only one clocks in under six-and-a-half minutes) are an anchor weighing heavily upon the listener, and with the force of an ocean bearing down on a sunken vessel. Sailing through both calm and turbulent waters, Ahab take the listener on a cinematic journey, and one that’s rich in deep ecological symbolism. With some of the heaviest riffs known to man, tracks such as ‘The Sea As A Desert’ are very tsunami-inducing, yet Ahab aren’t all choppy water; shimmering guitars contrast with the distorted and the lighter sections provide some welcome relief from the band’s oppressive darkness. You’d expect Ahab’s tight lyrical focus and crushingly-heavy brand of funeral doom to be a one-way ticket to a watery grave, yet The Coral Tombs finds them charting unexplored territory and proves that, as they approach their twentieth anniversary, there’s plenty of life in the old (salty) dog.

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Review by Peter Dennis